I hope things will go well for the project at Frontières. I really want to see Romero get his noir made, but ROAD OF THE DEAD sounds off-the-wall and crazy enough to provide a good amount of entertainment itself.
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ROAD OF THE DEAD will be one of the projects being presented at Frontières, the Fantasia International Film Festival's film co-production market, which is set to take place from July 20th through the 23rd in Montreal. Romero's fellow producers will include Birman, Matt Manjourides, and Justin Martell. Birman previously directed the 2013 family drama A FISH STORY. Theoretically Romeros Last Zombie tale (other than the posthumous The Living Dead novel, Road of the Dead. Romero will be stepping back and producing this one while Birman directs it. Birman describes the idea as " ROAD WARRIOR meets ROLLERBALL at a Nascar race", and says significant inspiration was taken from BEN-HUR. George Romero’s passing on Sunday at the age of 77 came just days before the legendary director was set to pitch his latest project, Road of the Dead, to financiers at Frontires, the. Zombies driving cars in some kind of death race? That's definitely not a concept that has ever occurred to me before. On an island where zombie prisoners race cars in a modern-day Coliseum for the entertainment of wealthy humans.
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The script is based on a pitch Birman put together ten years ago and is set Romero has written the screenplay for ROAD OF THE DEAD with Matt Birman, who served as second unit director on LAND OF THE DEAD, DIARY OF THE DEAD, and SURVIVAL OF THE DEAD. Well, there's still no movement on the noir project, but Romero has shifted gears and is now looking to get a different zombie film off the ground.
#Road of the dead romero movie#
Russo, first gave us flesh-eating ghoul zombies in 1968's NIGHT OF THE LIVING DEAD isn't able to get a zombie movie made in this zombie-obsessed age. Romero gave an interview in which he talked about the fact that he can't get funding for a noir-style zombie movie that he's been wanting to make for years. He understands better than anyone that a zombie movie is about a zombie society, not a zombie outbreak.Last October, George A. Even his outlandish societies, like Fiddler’s Green, the walled city lorded over by Dennis Hopper in Land of the Dead, take on a weight of plausibility that other zombie movies struggle to approach. “Romero understands zombies because he understands that any high concept silliness (like zombies riding horses in Survival of the Dead), must stem from the world that emerges after zombie outbreak.
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The Father of the Zombie movie has done it again.